“For over a decade in Berlin, my artistic practice has lived at the intersection of contemporary dance, media arts, and speculative design. My curiosity has evolved into a form of digital dance practice that negotiates ideologies surrounding post-human conditions. However, I have always returned to the body because I believe in the human body as a biological proxy to experience culture, identity, and the evolving boundaries of the self.

My fascination with the “extreme Self” emerged in response to accelerated digital culture, hyper-individualism, and relentless optimization. While philosopher Byung-Chul Han argues that digital time lacks the structure to house a community, I see social platforms and virtual spaces as new architectures where fragmented presence, attention, and capital forge emergent digital collectives.

Dance has migrated online as well, becoming ubiquitous, algorithmic, and endlessly reproducible. This project aspires to create an “extreme self-portrait”—not on the traditional sense, but as a speculative version shaped by machine intelligence and cuteness accelerationism.

It asks: How do we remain embodied in Web 3.0? How might decentralised technology reshape intimacy, solitude, and digital presence? This self-portrait is both a reflection of myself and an exploration of who we might all become. I will dance with you to the end of every metaverse! 😇😇😇”